Illuminated explores light as both material and metaphor. Fire transforms these works through pit and raku techniques, leaving traces of atmosphere embedded in the surface. Tinted and mixed clay bodies continue the artist’s exploration of layered pattern and graphic contrast.

This collection highlights Bradley’s ongoing practice of balancing precision with surrender — building structure, then allowing heat, smoke, and chance to activate light as it moves across each vessel. In moments of uncertainty, the work becomes an act of trust, a belief that even within obscurity, light insists on finding its way through.

Bradley has accepted an artist residency this spring at Villa Lena in Italy, where she will further explore material transformation. Works from Illuminated carry this research forward, directly supporting the next phase of her practice.